EDUCATION
University of Texas at Austin, B.F.A.
ONE-PERSON EXHIBITIONS
2017-2018
Between Worlds; drawings by Lynn Randolph, Lawndale Art Center Houston curated by Susie Kalil
2014
Living Lines: Arts Brookfield installation at Total Plaza, Houston.
2006
Magic Coast: Joan Wich Gallery Houston.
2003
Spirits on the Coast: New Paintings by Lynn Randolph, Joan Wich Gallery, Houston.
1998
Millennial Myths: Paintings by Lynn Randolph, Arizona State University Museum, Tempe. Catalogue essays by Walter Hopps, Donna Haraway, and Marilyn Zeitlin.
1997
The Body and Technoscience: A Series of Spectacles, University of Texas Health Science Center, Houston.
1995
Virgins in Vertigo and Juicy Women, Lynn Goode Gallery, Houston.
1991
Graham Gallery, Houston.
1990
A Return To Alien Roots: Painting Outside Mainstream Western Art, The Bunting Institute, Radcliffe College, Cambridge, MA. Catalogue essay by Margaret Miles.
1986
Graham Gallery, Houston, TX.
1984
Graham Gallery, Houston, TX. Catalogue: text by Lucy Lippard and William Graham
1978
Contemporary Arts Museum, Houston, TX.
SELECTED EXHIBITIONS
2016
Slipstream Kirk Hopper Fine Art curated by Susie Kalil Catalogue Dallas
2015
The Story of O(OO) Object Oriented Ontology at David Lewis Gallery, New York.
2015
Artist Healers, McGovern Center University of Texas Medical School
2014
Ninth Annual Human Rights Exhibit, The Cooper Center, South Texas College, McAllen.
2013
Myths, Artscan Gallery, Houston.
2013
Houston x8 ( eight Houston artists) Station Museum, Houston.
2012
Pensive Galerie Califia Horazdovice Czek Republic.
2012
Texas Mysticism, Scanlan Gallery, Austin.
2010
Substantialis Corporis Mixti, The Synergies Exhibition of The Basel, Rotterdam and Stockholm Conventions. United Nations, New York.
2010
Lines of Attack, Nasher Museum, Duke University, Durham, North Carolina.
2008
Thrive, Diverse Works, Houston
2004
Democracy In America, Arizona State University Museum, Tempe.
2002
Other Sights: Renzo Barchi Lynn Randolph Valton Tyler, O’Kane Gallery, University of Houston Downtown.
2001
Secret Wars, The Art Car Museum, Houston.
2001-2002
Double Take, The Art League of Houston, The Art Center of Waco, The Art Museum of South East Texas, Beaumont, D.Bergman Gallery, Austin.
2000
The Vulnerable Body, ArtScan Gallery, Houston.
1998
Altered Landscapes, ArtScan Gallery, Houston.
1998
Identity, University of Houston-Clear Lake. Essay by Mary Ross Taylor
1994
Phantoms, Freaks, and the Fantastic, Diverse Works, Houston.
1993
The Mask in Contemporary Art, Sewall Gallery, Rice University, Houston.
1992
Slouching Towards 2000: The Politics of Gender, Women & Their Work, Austin. Catalogue essay by Lucy Lippard.
1992
Iconoclasm in Contemporary Texas Art, Glassell School, Museum of Fine Arts, Houston.
1991
The Power of Enduring Presence: Ten Texas Women, Women and Their Work, Austin. Catalogue text by Kathryn Davidson.
1991
A Sense of Place: Recent Acquisitions in Contemporary Texas Art. San Antonio Museum of Art.
1990
Everyday Miracles: Retablos, Ex-votos, and Contemporary Texas Artists, Contemporary Art Museum, Houston.
1989
Evidence: Contemporary Narrative Art of the Southwest, San Antonio Museum of Art.
1988
Texas Women, National Museum of Women in Art, Washington, D.C.
1988
Acts of Faith: Politics and the Spirit. Cleveland State University, essay by Lucy Lippard.
1988
Houston ’88 (Houston Art Dealers Association), Cullen Center, Houston.
1987
Third Coast Review: A Look at Art in Texas, Aspen Art Museum, Aspen, Colorado. Catalogue text by Annette DeMeo Carlozzi.
1986
The Texas Landscape, 1900-1986, Museum of Fine Arts, Houston. Catalogue essay by Susie Kalil.
1986
Prisoners of Conscience, Organized by Amnesty International, Diverse Works, Houston.
1985
Texas Artists in Los Angeles, Southern California Gallery for Contemporary Art, Los Angeles.
1982
Thirteen Artists: A Look at Houston, Georgia State University Gallery, Atlanta.
1980
Ten Houston Artists in Dallas, 500 Exposition Gallery, Dallas.
1980
Texas Artists, Contemporary Arts Center, New Orleans.
1979
Fire, Contemporary Arts Museum, Houston.
1978
Three Person Exhibition, Contemporary Arts Museum, Houston.
PUBLIC COLLECTIONS
San Antonio Museum of Art
Museum of Fine Arts, Houston
Prudential Insurance Company
The Bunting Institute, Radcliffe/Harvard
Arizona State University Art Museum, Tempe.
The Menil Collection, Houston
The National Museum of Women in the Arts
Harvard University, The Divinity School, Cambridge, MA.
South Texas College Human Rights Collection
Blanton Museum of Art, The University of Texas at Austin
AWARDS & PRIZES
2015, 2013, 2006
Finalist for The Hunting Prize
1989-90
Fellowship, The Bunting Institute, Radcliffe College.
1987
Residency at Yaddo, June.
LECTURES & CONFERENCES
2017
The National Women’s Conference; Taking 1977 into the 21st Century Panel discussion
2016
Between worlds : 20th Annual interdisciplinary Conference on Supportive Care, Hospice and Palliative Medicine , September 16-17, 2016 University of Texas MD Anderson Cancer Center.
2015
Art and Medicine: Three artists who heal, McGovern Center University of Texas Medical School, Houston.
2015
The Collective Soul Symposium, M.D. Anderson Cancer Center Houston, January 30 -31.
2014
The Collective Soul Symposium, M.D. Anderson Cancer Center, Houston,TX.
2013
“Unspoken Stories,” The Houston Seminar.
2006
The Artist’s Eye: On Rene Magritte, The Menil Collection, Houston.
2002
Slide Jam, Contemporary Arts Museum, Houston.
1998
“Ways of Seeing: the Convergence of Art, Science, and Technology,” Institute for the Medical Humanities, University of Texas Medical Branch, Galveston.
1998
“The Identity Issue of Women Artists: A Diacritical Perspective,” South-Central Women’s Studies Conference, University of Houston-Clear Lake.
1998
“Cyborgs, Wonder Woman, and Techno-Angels: Collaborations between Lynn Randolph and Donna Haraway.” Arizona State University, Tempe, AZ.
1999
“Webs of Discourse,” the annual conference of the Center for Comparative Literature, Texas Tech University, Lubbock, February 1996.
1999
“Cyborgs, Wonder Woman, and Techno-Angels: Collaborations between Lynn Randolph and Donna Haraway,” Center for the Critical analysis of Contemporary Culture, Rutgers University, New Brunswick, New Jersey.
1995
“Between Cultural Eras: The Effects of Postmodern Thinking on the Modernist Concepts of Regionalism,” Meetings of College Art Association, San Antonio, January.
1993
“The Ilusas (Deluded Women): Representations of women who are out of bounds,” Bunting Institute, Cambridge, Massachusetts.
1992
“Shape Shifting: Toward Multifaceted Representations of Women’s Bodies,” College Art Association, Chicago.
1991
Participant, Women’s Caucus for Art, National Conference, Washington, D.C.
1988
Lecture: Clyde Connell. Williams College, Williamstown, Massachusetts.
1987
Slide presentation on Clyde Connell, National Sculpture Conference: “Works by Women,” Cincinnati.
1983
Speaker, Coalition of Women’s Art Organizations and the National Women’s Caucus for Art, Moore College, Philadelphia.
PUBLICATIONS
2006
“Insight as Image, The Subjective Eye, ”edited by Richard Valantasis, Princeton Theological Monograph series vol. 59 May, 2006.
1990
“A Return to Alien Roots: Painting Outside Mainstream Western Culture,” Radcliffe Papers.
1986
“The Impulse to Art,” The Inquirer, September-October.
1985
“Clyde Connell,” Women’s Art Journal, v. 6:2, Fall/Winter, pp.30‑34.
1984
“Clyde Connell,” Catalogue for Women’s Caucus for Art, Women of Honor Exhibition, 1985.(with Suzanne Bloom)
1983
“Beyond Political and Economic Equality,” Women Artists’ News, v. 8:4, May-June.
SELECTED BIBLIOGRAPHY
2016
Susie Kalil, Slipstream catalogue, Kirk Hopper Fine Art Gallery, Dallas
2016
Alaena Hostetter , Slipstream at Kirk Hopper Fine Art, Glasstire June 19 2016
2015
Ken Johnson, “The Story of O(OO) at David Lewis Gallery,” The New York Times May 7, 2015
2015
Tobi Haslett, The Story of O(OO) David Lewis Gallery, Artforum (on line) April 28
2015
“The Story of O(OO) at David Lewis,” Art In America, writer unknown.
2014
“An artist finds her flip side,” Molly Glentzer, Houston Chronicle, August 17,2014
2014
Paintings reproduced in Comparing Religions, textbook by Jeffrey Kripal, Wiley Blackwell.
2013
ADD METAPHYSICS edited by Jenna Sutela Aalto University, Finland
2012
“Much more oil than canvas,” Molly Glentzer, Houston Chronicle, November 30.
2010
Linda De Feo, “I misteri di Lynn M. Randolph tra ossessive metafore e promettenti mostruosità,” quadernidaltritempi.eu no. 24.
2008
Massimiano Bucchi, two images for domus, techno contemporary architecture, interiors, design art, New Digital Order Inc. pages 86-87
2007
Geez Magazine, fall, issue 7, page 52.
2007
The Nation, May 21, pp.9
2004
New American Painting # 54 The Open Studio Press, Lynn M. Herbert curator
2004
“Shock and Awe War On Words,” New Pacific Press, Santa Cruz, Ca. pp. 39
2004
The Nation, cover art August 30.
2003
Don Quaintance,“Lynn Randolph: Spirits on the Coast,” ARTLIES, Summer 2003.
2002
Kris Axtman, “Political dissent can bring federal agents to door,” Progressive Magazine December 29.
2002
Mathew Rothchild, “The New McCarthyism,” Progressive Magazine, December 29.
2001
Patricia Johnson, “Intimacy Permeates Double Take,” Houston Chronicle, February 10.
2000
Kvinder Kon Forsking, 9. Argang.rr.2 (front and back cover and pp.8 ) Donna Haraway, an interview with Thyrza Nichols Goodeve, How Like A Leaf, Routledge pp.102,116, 120-121, 145.
1999
Emily Todd, “Lynn Randolph, an interview,” Art Lies #24.
1998
Caroline Goesner, Art Lies #19.
1997
Deborah J. Haynes, The Vocation of the Artist, Cambridge University Press.
1997
Shaila Dewan, “Picture This: Lynn Randolph brings a touch of reality to the Medical Center,” Houston Press, January.
1996
Donna Haraway, Modest Witness @ the Second Millennium: FeMale Man Meets Oncomousetm, Routledge, (Cover art and ten plates with commentary).
1996
William Simon, Postmodern Sexualities, Routledge, (Cover art).
1995/6
Calyx, vol. 16: 2 (winter), pp. 80-83.
1995
Susie Kalil, “No More Girlish Games,” Houston Press, March 16-22.
1994
Susie Kalil, “The Small and the Dreadful,” Houston Press, November 17-23.
1993
Susie Kalil, “Art Against Barbie, Houston Press, Jan. 28- Feb. 3.
1993
Therese Lichtenstein, “Slouching Towards 2000: The Politics of Gender,” Art Forum, March.
1992
David Connelly, Art Papers, Jan./Feb., p. 66.
1991
Donna Haraway, “Promises of Monsters,” in Cultural Studies, (eds.) L. Grossberg, et al. Routledge.
1991
Estella Lauter, Quandrant. XXIII: 7 (Spring), p. 40.
1991
Donna J. Haraway, Simians, Cyborgs, and Women, London: Free Association Books, (Cover art and Plate # 1.)
1990
Sciences, New York Academy of Science. Nov./Dec.
1990
Thomas Frick, Art in America, Dec.
1988
Robert Hobbs, “No Bluebonnets, No Yellow Roses: Essays on Texas Women in the Arts,” Essays on Texas Women in the Arts, Spring.
1988
Helen Cullinan, “Lucy Lippard fights for art of personal belief,” Cleveland Plain Dealer, January 8.
1988
Heresies: A Feminist Publication, Issue #23.
1987
Women of Power, Issue 6, Spring.
1987
Donna Tennant, review, Artspace: SW Art Quarterly, Spring.
1987
Suzanne Bloom/Ed Hill, review, ARTFORUM. March.
1986
Patricia C. Johnson, review, Houston Chronicle, November 25.
1985
Edward Lucie-Smith, American Art Now, New York: Morrow.
1984
Michael S. Bell, “Surrealism, an Alternative Approach: Veristic Attitudes in the Work and Writings of Contemporary Surrealists,” Loenardo,vol.17, #4.
1984
Lucy Lippard, catalogue, one-person show, Graham Gallery.
1984
Lauter, Estella, Women as Mythmakers: Poetry and Art by 20th Century Women, Indiana University Press.
1983
Lucy Lippard, Overlay: Contemporary Art and the Art of Prehistory, New York:Pantheon.
1979
Lucy Lippard, “Texas Red Hots,” Art in America, July-August issue.
1977
“Four Houston Women Artists,” MS Magazine, February issue.
ORGANIZATIONS
1993-96
The Ilusas: A Women’s Drum Corp.
1991-95
Artists’ Board, Lawndale Art and Performance Center, Houston.
1988
Co-chair, 1988 Annual Conference of the Women’s Caucus for Art.
1984
Organizer, Houston Area Artists’ Call Against U.S. Intervention in Central America.
1976-88
National Women’s Caucus for Art: National. Advisory Board, 1986-88; Regional vice-president 1985-1988; President, Houston Chapter (1979-80).
OTHER WORK IN THE ARTS
2008- present:
Artist in residence, M.D.Anderson Cancer Center, Houston.
1995
Curator, “The Presence of the Absence of the Presence,” Barbara Davis Gallery, Penzoil Place, Houston.
1995
Houston coordinator, “Art Under Duress: El Salvador 1980-present,” Lawndale Art and Performance Center.
1995
Performance Piece: ART BABBLE, the Illusas, College Art Association, San Antonio.
1982
Set designs for Measure by Measure by William Shakespeare, Main Street Theater, Houston.
1977
Set Designs for Gold, Frankincense, and Myrrh, Space/Dance/Theater, Houston.